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Franz Anton Mesmer founded the idea of “animal magnetism” in the 1770’s. According to Mesmer’s notion, the collective universe is permeated by a force, which he also called “life fire”, and which is also found in the human body. He said all illnesses have the same cause, namely a stagnation of the life fire in the body of the sick patient. The magnetiseur, who regulates excesses of animal magnetism, influences stoppages of life fire in the patient’s body to flow once more. The successful intervention is accompanied by a “crisis” (cramps and spasms).

Mesmer’s birthplace in Iznang, near Lake Constance.
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Franz Anton Mesmer (1734-1815)
The practice of hypnosis developed in a way out of the “animal magnetism” of Franz Anton Mesmer. This can be seen by the fact that renowned hypnosis researchers of the 1800’s were provoked to investigate the carnival-like pageants of ‘magnetizers’, and thereby take over their techniques. In fact, important aspects of modern hypnosis techniques stem directly from the tradition of magnetism.
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Entry in the citizen register of the Weiler parish showing Mesmer’s birth
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As more and more patients sought treatment from Mesmer – sometimes he dealt with 200 patients in his Paris practice – he turned to use of the “baquet”.
Moreover, modern hypnosis endeavors to ground itself in the somewhat scientific roots of Mesmerism rather than its roots in magic and mythology. Mesmerism was the first attempt to explain therapeutic trance phenomena in a scientific manner. However, in comparison to a modern hypnotherapy practice, Mesmer’s approach was quite exotic and theatrical. A typical magnetic treatment played out in something like the following: the patients at first gathered around an oaken tub, which Mesmer had ‘magnetized’ and filled with water and iron filings. Those who arrived first took their places directly beside the bath, while those who came later gathered behind. Mesmer was not yet present. Only very dampened light filtered into the room through the heavily-curtained windows. Sounds were quickly swallowed up by the heavy carpets and wall-hangings. The mirrors hanging upon the walls reproduced the participants in confusing variety. Upon the signal of an assistant, the patients would form a ‘magnetic chain’. The tension and excitement would rise.

Baquet
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A baquet was a large oaken tub containing water, iron filings, broken glass, and bottles. He ‘transferred’ his magnetic powers to these materials, so that he would not always have to actually be present to personally bring about the therapeutic ‘crisis’. It was enough for the patients to collect around the baquet and ‘take up’ Mesmer’s ‘stored’ magnetic power through iron rods and ropes. In the case of an especially strong ‘crisis’ experience, the hysterical patient would be led by helpers into the designated ‘crisis room’. In this depiction we see patients gathered about the baquet.
Then the sounds of ‘music of the spheres'would arise from the neighboring room – where Mesmer himself played the glass harmonica. Sometimes singing or piano music might be used also. This music elevated the tension further. Suddenly the candles would flicker, the door would open, and Mesmer would finally appear wearing long violet robes of silk, and an earnest expression. He strode slowly to the heavily-breathing chain of patients, and questioned the patients in a whisper about their illnesses. He waved his special wand over them and looked deep into their eyes. Shortly thereafter the patient would pass through a phase of calm in to the ‘crisis', and begin to moan, cry out, and sweat. The shroud of excited silence would be broken, and others would be taken over by the crisis. One patient might fall into spasms, another would laugh out loud. In other places along the chain there would be screams. The most severe patients would be led to the so-called ‘crisis room' and receive Mesmer's personal help to restore their calm. In the treatment room calm would gradually return. Some patients would request a stronger treatment. Other expressed their gratitude for their healing experience on their knees .
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Mesmer was born in Iznang on May 23, 1734, on the (today) German shore of Lake Constance. His father was a hunter in the service of the Konstanz ruling bishop. He first found a place in the public eye in Vienna; after finishing his studies, he married into a rich family, and his new idea of ‘magnetic’ treatment made him well-known. He moved about in the social circles that represented Vienna’s vogue, and included residents like the Mozart family.
This idyllic time was shattered, however, by a scandal surrounding his alleged healing of a blind girl. His detractors challenged his self-purported temporary restoration of sight and accused him of charlatanry. Mesmer left Vienna and went to Paris in 1778, where he built up a large magnetism practice. His success made him quickly famous, although the established medical arts circles scoffed at him. Eventually, King Ludwig XVI set up a commission of renowned scholars in 1780, for the purpose of evaluating ‘magnetic’ healing. The commission found that magnetic phenomena were based on the imagination of patients. The success of the treatment, however, was not challenged.
Despite this judgement, Mesmer’s influence grew continuously. In various French cities, associations were created to use Mesmer’s teachings. The French Revolution of 1789 brought an end to Mesmer’s long residence in Paris, including his ties to many leading players in the revolution. He lost his abilities and retired to the Lake Constance region (to Frauenfeld in the Swiss canton of Thurgau, and to Konstanz and Meersburg). There he lived entirely withdrawn from the world of science, and on a pension paid by the Paris city government – enough for horse-drawn coach, a housekeeper, and generally wealthy existence.

Mesmer’s will
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Miniature portrait of Franz Anton Mesmer, painted 1809 by Joseph Einsle of Frauenfeld (private collection). Mesmer was 75 years old at this time.
At the age of 75, he was discovered again by the Swiss doctor Zugenbühl, and brought out once more before the attention of the scientific public. He was offered a post as the director of a magnetic clinic in Berlin, but declined on account of his age. He died on March 5, 1815, in a house in Meersburg that today holds a wine museum. He lies buried in the Meersburg cemetery, under a triangular marble gravestone.
Mesmer’s gravestone in Meersburg
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Sources:
1) Tischner, R. (1928)." Franz Anton Mesmer:
Leben, Werk und Wirkungen." Muenchen, Verlag der Muenchner
Drucke.
3) Ellenberger, H. F. (1973) Die Entdeckung es Unbewußten,
Bern: Huber.
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